From the Harvard Natural History Museum it is only a few steps to the entrance of the Peabody Museum of Archeology and Ethnology. The entrance was unassuming, and if I didn’t actively look for it I would have missed it.

The door was somewhat misleading – I usually inform myself what I might find on display but this time I entered without preconceived ideas or expectations.

The Arts of War exhibit drew us in, and we explored various body armor from the Alaskan tribes to the Gilbert Islands.

This fine specimen of armor was made from Coconut fiber, complete with a pufferfish helmet. It came from the Gilbert Islands in the South Pacific…

…and a gauntlet studded with shark’s teeth demand a wide berth if encountered in its native setting!

The Meso-American exhibition hall followed and it was here that I was drawn in immediately!

Only last week I welcomed 25 participants to my Mola workshop in Manchester at World Quilt. It was my turn to be mesmerized and admire several authentic and very intricate Molas from the San Blas Islands. This Mola is from Rio Sidra Island. The age was not provided.

Another fascinating Mola, also from Rio Sidra Island, made by an unknown maker, the year was not provided.

This Mola stems from Cari Mulatupti Island, one of the 50 islands populated by the Kuna Indians. The year it was made was not disclosed.

This Mola example was less intricate but I believe that it was the most historic Mola on display. Note the less detailed reverse applique sections, a wonderful example of balancing positive and negative space.

The larger display case featured an actual blouse, showcasing the Mola panel as it is situated in the traditional Kuna garment.